Tag: Rebuild

  • Rebuild 3: Kickstarter postmortem

    Rebuild: Gangs of Deadsville was just successfully funded on Kickstarter, raising $41k from 2200 backers. Breakdown from Kicktraq:

    Rebuild stats from Kicktraq

    Like most campaigns seem to go, it started strong, then totally lost momentum, then suddenly leapt forward at the end of the run. Looking at my referrals (full breakdown here), I’m guessing this is in large part because Kickstarter was featuring it at those times. A whopping 53% of my pledges came from people who were browsing Kickstarter when my campaign caught their eye.

    It was a success, in that it surpassed my $25k goal, introduced new players to the game, and raised an average $19 per backer. To be honest I was hoping more existing Rebuild players would take an interest, but due to a marketing snafu it’s possible they didn’t even know it was going on. Either way, I knew it’d be a challenge to convince free Flash and $2.99 mobile players to back a PC downloadable game for $10 (no iOS version in the rewards either).

    The campaign didn’t come close to actually funding the game in it’s entirety, which would have required more like $150k with my time at cut rate. But I was upfront in saying I didn’t need to fund the entire game, that this money would go towards extra art and extra content and stretch goals. Of which we made a couple, but I’m somewhat relieved that we didn’t make the voice acting stretch goal.

    Rebuild backer numbers from Kicktraq

    My advice for anyone else doing a video game Kickstarter campaign:

    Read Lobster’s guide to Kickstarter from start to finish.

    Don’t use IndieGogo. I really hate Kickstarter for being so revoltingly US-centric and I know it’s not easy to make or fake a US company (or UK, or Canadian which is what I am). But if the referral numbers are truth, then over half my pledge money came from Kickstarter regulars who bumped into my game on there, mostly while browsing in the video games section. I shouldn’t be surprised; I do it myself. IndieGogo and other crowdfunding sites sadly have much smaller communities.

    Make your video pure gameplay footage set to music. Recent uber-successful campaigns have done this, implying that people are more interested in the game than the story or people behind it. Filming yourself is way too much trouble, especially if you freeze up in front of a camera like me. But Colin was a very patient director and we eventually did get through my lines after 5 mornings of filming. We thought my story of being a (mostly) lone female dev living in the jungle in Panama might catch some attention, but backers seemed to be more excited by the gameplay.

    Don’t bother with physical goods at all. Other devs report they are too much trouble and talked me out of doing a board game as a reward (I know: awwwww). Despite an early poll that showed my fans had no interest in t-shirts or stickers, I did them anyway because dammit I like those things. It was only possible because I found a company (Teelaunch) that would produce and ship them for me.

    Put people into your game at all levels. Stick their names in the credits ($1), on randomly generated characters in the game ($25), draw stylized versions of their faces for random characters ($100), or make them full named npcs with stories and events in the game ($500). Offering these rewards was one of the reasons I wanted to do a Kickstarter campaign in the first place.

    Offer exclusive in-game content. I felt torn about my $20 reward tier which gave players unique starting stats for their main leader. On one hand, it smelled like DLC to me to write content for the game but withhold it from regular players. On the other hand, backers were genuinely excited about it and it cost me little to do.

    Plan something to talk about. I listed the npc gangs, announced the soundtrack, talked about the art and my travel/work lifestyle… but then it devolved into short notices about milestones peppered with gratuitous character sketches from Sara. I wish I’d prepared more in-depth articles about game features since backers did (surprisingly) seem to read and enjoy them.

    Add rewards in the middle of the campaign. My theory: once backers have read a few updates and are getting excited about the project, they’re looking for a reason to increase their pledge. I did additive “everything above, plus” reward tiers so when I added the soundtrack at the $35 level, all the higher tiers included it too.

    Invite backers to vote on something. I had some controversy when I added the Relationships & Kids stretch goal. I didn’t explain it very well, I think I made it sound like playing house in The Sims. Anyway it got backers talking which seemed like a good thing even though they were angry, so I told them they would instead vote between that and the Seasons stretch goal. Half the comments in my whole campaign probably related to this.

    If you don’t need the money, don’t worry about the money. Unlike many projects, I had other options for funding. I used the campaign as a promotional tool and to gauge interest so I wouldn’t kill myself making the game perfect if nobody wanted it. I chose a relatively low goal ($25k) and reached it in the initial rush. I did promotional stuff for 2 hours every morning plus one full day a week, but didn’t feel the incredible stress that most teams seem to. It may not have been a huge financial success, but I did raise awareness for Rebuild and started a sense of community that I hope to carry over into the alpha & beta test.

    rebuild3_ksthanks

  • Rebuild 3: Only 2 days to go and new $40k stretch goal added!

    The Rebuild: Gangs of Deadsville Kickstarter campaign made its first stretch goal with no time to lose! I’ll be adding 3 extra faction, including the 1337cREw gamer faction who were so busy having a weekend lan party (do people still have those?) that they didn’t even notice zombies filling the streets outside. Here’s Dara, their leader:

    dara2_550

    And here’s Madison, a bit of a rebellious youth who joins The Pharmacists. Not for the drugs, not for the protection, but because he likes their style:

    rebuild3_madison_550

    Now there’s only 48-ish hours to go, but in a fit of crazed optimism I’ve added another $40k stretch goal: Relationships & Kids. Somewhere in all this killing-the-zombies, saving-humanity, rebuilding-civilization, people surely must be getting on with the daily friendships, feuds and flings that make life worth living.

    The basics are: the more time two survivors spend together, the more they’ll like one another. If something bad happens to a person (for example, they’re ripped to shreds by ravenous undead), their friends will be sad. If one of them is happy, they’ll give a happiness boost to their buds. And if two people really, really like eachother, and happen to be opposite genders, perhaps like magic a baby will appear!

    Kids will stay safe in the fort of course, we’re not going to send them out to crawl into those tight little spaces and scavenge everything their tiny fingers can grab until they’re at least 14. Maybe 13. It’s a tough world out there.

    Okay, on a less depressing note – here’s a sneak peak at one of Sara’s zombies, who she calls Cutter. I think he must have gotten into a face-biting match at some point, but I can’t quite tell if he lost or won.

    rebuild3_cutter_550

  • Rebuild 3: Sketches & a video tour of my office

    rebuild3_masaiThe Rebuild: Gangs of Deadsville Kickstarter is ending in just a few days on Halloween!

    rebuild3_rufioI’ve been gearing up for the Alpha test which starts next month. This first build will only be available to backers at the $15 level and above, so you’ve only got a few days left to secure your spot if you haven’t already. After that you’ll still be able to preorder on the official site and get into the beta, which will start sometime next year. The game is due for release around May 2014.

    rebuild3_gustavSara Gross did some live character sketches on Twitch TV last week. It’s so much fun watching her bring Rebuild characters to life. I know they’re just concept art but I’m so thrilled, I want to use them as loading screens or something in the game.

    rebuild3_luddiesAbove is her Masai (nicknamed “Nipple Fist” by watchers) of the Granville Riffs, Young Rufio of St Micheal’s School for Boys, a few interpretations of infamous trader Gustav who also appeared in Rebuild 2, and some ideas for the Luddies. The Luddies are half hippie, half luddite, and make their own clothing out of hemp and goat wool. Sure there’s still plenty on the racks at the local mall, but hand sheared goat wool just feels better.

    UI_ResultsMeanwhile Adam’s been busy on the new buildings. Finally the last scraps of my old art (all the way from Rebuild 1) is being banished from the game, though he’s putting in references to some of it. He’s also taking fan suggestions to heart and re-evaluating the scariness of our zombies. It’s all a work in progress folks!

    People have been asking how I manage to write games while travelling. The key is we aren’t really “travelling” in the sense of running around doing tourist stuff all day. We just move to another country every 2-3 months and live there like the locals do. We really are in a remote island in Panama right now, which is beautiful and wild and, well, kind of boring, so I’m working long hours and getting a lot done. Colin filmed a little walk around tour of the property we’re staying on:

    We’re definitely ready to withstand the zombie apocalypse out here!

  • Rebuild 3: Developing the Art Style

    Hi everyone! I thought it might be fun to take a deeper look into Rebuild’s new art style and why we’ve made some of the decisions we’ve made so far. Just a quick heads up on who I am, My name’s Adam Meyer and I’m the lead artist on Rebuild: Gangs of Deadsville (Being Kickstarted now!). So if you love what you’ve seen so far, then thanks! If you don’t? Then tough luck! Haha, seriously though, there have been some concerns raised about the new art direction and it not being as gritty or as realistic as Rebuild 2. Completely valid complaints, but why did we go this route? I’m glad you asked! Here are a few reasons why we went with the more cartoony look that we ultimately settled on. Caution, made up words ahead.

    1. Marketability: I know this one won’t be popular. But the truth is that to get this great game in even more hands, it needed to appeal to more casual users. Okay, now I got the tough one out of the way.

    2. Visibility: Because the game is going to be on mobile phones it ‘s extremely important that you can quickly recognize what you’re looking at. Characters, buildings and interface all needed to have enough exaggeration in them that they would be nice and clear with the limited screen space. Realistic stuff tends to kind of blend together when scaled down.

    3. Usability: At the end of the day, clean vector objects like this take up much less space than their raster cousins. So the game will download/install faster, and the graphics scale easily so they look just as good on different screen sizes.

    4. Consistency: One of the things Sarah expressed as a concern when starting this project was the lack of consistency in Rebuild 2. You had these realistic characters, title screen, and interface. But the map was filled with these very cartoony buildings. So above all, everything had to match. I also felt like there was a lot of humor in the game. Dark humor maybe, but humor non the less. So that was probably my main reason for developing the look the way I did. It just felt to me that it was the style that was most consistent with what Sarah was writing.

    5. Lovability? There are going to be hundreds of survivors in this game and every time you send one out to ransack the local All-Mart, we wanted you to fear for their lives. With this many characters you can imagine how they might all start looking the same if they were realistic. I mean most people have pretty similarly shaped heads.  (I’m not looking at you Jay Leno!) Anyway we didn’t want you to come down with a case of face blindness so we decided to make the characters more iconic so you not only would know who was who, but you’d care about them in the process.

    Now you know the reasons, let’s have some fun and compare apples to oranges. But first, a quick look at a few different rendering styles I tried out on the buildings.

    isometric building art styles

    Here we can see that while most of the game is more cartoony that Rebuild 2, the buildings actually will be grittier and more detailed. Dead bodies, cracks in the buildings, broken windows, and generally more post apocalyptic looking.

    Buildings

    This image really shows how we tried to find a balance in the new character designs. Somewhere between the first game’s stick figures and the second one’s realistic characters. Just for some nostalgic fun you can check out Sarah’s original post about the new art style for Rebuild 2. I noticed alot of the comments in there preferred the originals more cartoony style. Haha. So we’ve come full circle now.

    survivors compare

    Interface comparison. It’s hard to tell in this pic, but the interface blends much better with the map this time around.

    interface compare

    Even though we went a completely different artistic direction for the new game, I’m trying very hard to pull from the prior games. For example, the giant red moon and city in the background found it’s way into the new logo.

    title screen compare

    I hope you’ve enjoyed us pulling the curtain back on Rebuild’s new look. Thanks to everyone for your support!

  • Rebuild 3: Announcing the soundtrack!

    I’m super stoked to announce I’ve just signed a licensing deal for the music for Rebuild: Gangs of Deadsville! The game’s soundtrack will feature a full hour of music from Rupert Lally and Espen J. Jörgensen – aka No Studio. Here’s a teaser:

    Rupert, a Swiss/English electronic musician & sound designer, and Espen, a Norwegian electronic artist & filmmaker, have been collaborating for the past year and a half on a range of albums. From experimental circuit bending to ambient synthesizer noisescapes, their music has a kind of grungy post-apocalyptic feel to it that drew me in. The Gangs of Deadsville soundtrack will feature tracks from their whole discography including their upcoming final album This is Art:

    I met Espen during his collaboration with Bill Gould, who worked on the Rebuild 2 soundtrack. I wanted something similar for the new game, but with more intensity and rhythm. I’ve been listening to this music for the past month while programming and I think it’s a lot of fun and a great fit for the new game.

    The Kickstarter campaign is reaching its halfway point, and just got fully funded over the weekend. There are some new stretch goals we’re now trying to hit (seasons!!), and I’m going to entice backers to raise their pledges now by adding a $35 reward tier which includes the game’s 1 hour soundtrack. This will ship on November 4 when This is Art comes out.